I would like to show you one of my favorite pieces.
This is a brooch made by Ms Akiko Fukui, a knitter.
This piece was made as an Obidome for the Obidome exhibition, but I use it as a brooch. I think it matches my polka-dot clothes. The material is PVC wire.
Akiko said PVC wire is a bit nuisance material. If the temperature is high, it becomes too loose to knit, if it is low, it becomes too hard to knit.
When I asked her to make some buttons using PVC wire, it was in midsummer. I remember she said that she had to control her room temperature.
Akiko Fukui, PVC wire buttons:
http://buttonhouse.jp/m_others.html
http://buttonhouse.jp
2011年6月28日火曜日
2011年6月23日木曜日
The Splendor of Japanese Export Crafts Exhibition
The other day, I visited TOBACCO & SALT MUSEUM in Shibuya to see the special exhibition “ The Splendor of Japanese Export Crafts”. It was wonderful collection!
I heard the Meiji Government exported a variety of crafts overseas as a way of obtaining foreign currencies, but I have never seen the real ones.
In the collection, Yosegi writing desk was outstanding. I have never seen such a big work with Yosegi.
Yosegi, the art of marquetry has a long tradition in Japan. You can see them in Odawara or Hakone in Kanagawa Pref. now. I sometimes buy small pieces such as small boxes, chopsticks, trays etc. for souvenir, but I have never imagined a writing desk covered with marquetry. How gorgeous!
By the way the museum is run by JT. The admission fee is only 100yen.
It is a small museum, but unique as you can guess from the name. It is one of the few museums in the world that specializes in tobacco and salt. There is a nice cafeteria in the ground floor. If you have a chance to go to Shibuya, it is worth visiting once.
2011年6月20日月曜日
I visited Kaoru Nakano Exhibition "washi jewelry
On the last Tuesday, I visited Kaoru Nakano exhibition in Aoyama.
It has been one year and half since I met Kaoru last time at Obidome exhibition in Kyoto.
It was in 2007 when I knew Ms. Kaoru Nakano for the first time as a jewelry artist using washi, Japanese traditional handmade papers.
At that time, I was looking for new artists for the 3rd Obidome exhibition in 2008.
First I happened to see her work at a gallery in Ginza, after that I sent a fax to ask her joining the exhibition.
Her works using Japanese paper is so unique. Can you imagine the accessories of paper?
Japanese paper is tough enough and a little bit shiny. Washi, Japanese papers are made in different areas of Japan. Kaoru uses Kurotani washi, intangible cultural properties in Kyoto.
It has been one year and half since I met Kaoru last time at Obidome exhibition in Kyoto.
It was in 2007 when I knew Ms. Kaoru Nakano for the first time as a jewelry artist using washi, Japanese traditional handmade papers.
At that time, I was looking for new artists for the 3rd Obidome exhibition in 2008.
First I happened to see her work at a gallery in Ginza, after that I sent a fax to ask her joining the exhibition.
Her works using Japanese paper is so unique. Can you imagine the accessories of paper?
Japanese paper is tough enough and a little bit shiny. Washi, Japanese papers are made in different areas of Japan. Kaoru uses Kurotani washi, intangible cultural properties in Kyoto.
Kaoru Nakano
Obidome "untitled"
Kyoko Ishikawa
Buttonhouse
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